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How To Sing On Pitch – How To Hold A Note


— How to sing on pitch – How to hold a note.

Do you know what the meaning of “tone deaf” is? Some singers unable to sing in pitch despite they had trying a lot of ways to solve this problem. Normally, they failed to identify the different of the musical frequency or pitch from the others. Singers find it difficult to sing in harmony with others or to accompany notes of some instrument.

Do you know the causes that make you a “tone deaf”? Actually, it might be possible as a child you were not involved in enough musical activities. You might not have got the training in your childhood. But it’s not a problem. It is never too late to learn singing on pitch.

In case of singing on pitch, tone deafness and actual deafness should be differentiated. Tone deaf people can hear the music and the other audible sounds like street traffic, noise etc but they are not able to differentiate one pitch from another. There is “ear training”, a special form of training that can help you in singing on a pitch. Ear training can help you in the personal development of areas that are a bit lacking.

There is additional thing to acknowledge that a lot of people can hear music in their head, when no music is being played at their places. It’s comfortable for such people to overcome singing on pitch. A lot of composers have this ability and they can compose symphonies in their brain, without bringing their ear to it. Fundamentally, astounding auditory memories are advancing popularity among people. It’s like we can recall certain smell and taste like a chef.

If you want to put yourself at ease of singing on pitch, you have to learn the difference between singing and hearing. Both these terms are very much dependent on each other. Dr. Alfred Tomatis, a French audiologist, had established an important relationship between the two terms.

He told that if a person cannot produce a particular sound, he cannot hear it. He gave this reason for the change in the voice of older people. As they lose their hearing ability, their voice changes. So hearing on pitch plays an important role in singing on pitch. You fail to copy the pitch, unless you learn to distinguish it.

What does it mean? Yes! It means you need to first learn to hear pitch before you learn singing on pitch. It is the starting point. If you can hear, you can move to the next step to differentiate between the sounds of different pitches.

How long is your note? Well you’ll be amazed to learn that the shorter your note the more likely you are to take insufficient breath; and the more likely you are to get really lazy; and if you bundle all of the above to describe your performance? Well, mediocre is as good as it gets! When you’re walking down the road to a corner shop just a few yards away, you’ll take your time about it. But if you had to walk a mile, you’re likely to put in a bit more effort. The same goes with singing, well, that’s if you’re a lazy singer and can’t be bothered to hold a note properly. In this short article, I’m going to show you how THINKING long-distance (even if you’re only singing a couple of words) is the best way ever to correct your projection.

To begin with, sing a four-word-note… let’s say you sang the words “we are the world” from the Michael Jackson-penned classic. Listen very carefully to how you sound. Did you run out of breath at the word “world”? Well, if you did, then that illustrates my point. You only had 4 words to sing and so you simply couldn’t be bothered to take enough breath and what suffered was your vocal quality in that rendition. Simple! It couldn’t have sounded great and I wouldn’t imagine anyone would want to listen to that. SO: how do you fix this? Take in lots of breath and make sure that by the word “world” you haven’t run out of breath so that even if you were to extend the word “world” for a while longer, you could.

This happens a lot with students attending private lessons in my studio. It’s so typical. So if you’re in that boat, trust me, you are not alone. The solution is as stipulated above. If you tricked your brain into thinking this-is-not-the-end-of-the-note, you’ll likely use a lot more control to hold that note. Your brain is very powerful. It can prevent you from adapting to new ways of doing things. Singing is the one place where the brain is to blame for your lack of success. This is another topic altogether, but the facts are clear as day, that if you allow your brain to pull you back, it will. What you need to learn to do is to trick your brain into conforming.

In summary: How would you describe your voice? Would anybody actually enjoy listening to you sing? A pertinent question, I’d say. You really need to take a closer look at yourself, first. If you don’t like what you sound like, don’t expect anyone else to.

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